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biografía : Cream

Cream were a 1960s British rock band comprising guitarist Eric Clapton, bassist Jack Bruce and drummer Ginger Baker. They were celebrated as the first great power trio and supergroup of rock. Their sound was characterised by a hybrid of blues, pop and psychedelic rock. Cream combined Clapton\'s blues guitar playing with the powerful voice and intense basslines of Jack Bruce and the jazz-influenced drumming of Ginger Baker. They have sold over 35 million albums worldwide. Wheels of Fire was the world\'s first platinum-selling album.

Cream, together with The Jimi Hendrix Experience, made a significant impact upon the popular music of the time, providing a heavy yet technically proficient musical theme that foreshadowed the emergence of bands such as Led Zeppelin, Deep Purple and The Jeff Beck Group in the late 1960s. The band\'s live performances influenced progressive rock acts, jam bands such as The Allman Brothers Band, Rush, Grateful Dead and Phish, and even heavy metal bands such as Black Sabbath. Although Cream\'s studio work has stood the test of time, their true influence lies in their live sets. Cream took the idea of jamming to a new level, incorporating their individual virtuosity into long 20-minute jams.

Cream were ranked #16 on VH1\'s 100 Greatest Artists of Hard Rock.

Cream debuted on July 17, 1966. By that time, Eric Clapton\'s career with The Yardbirds and John Mayall\'s Bluesbreakers had earned him a reputation as the premier blues guitarist in Britain. Clapton\'s virtuosity and raw power with the instrument inspired one fan to spray paint the words \"Clapton is God\" on the wall of an Islington underground station. Clapton, however, found the environment of Mayall\'s band confining, and sought to expand his playing in a new band.

In 1966, Clapton met Baker, then the leader of the Graham Bond Organisation, which at one point featured Jack Bruce on bass, harmonica and piano. Baker, too, felt stifled in the GBO, and had grown tired of Graham Bond\'s drug addictions and bouts of mental instability. \"I had always liked Ginger\", explained Clapton. \"Ginger had come to see me play with John Mayall. After the gig he drove me back to London in his Rover. I was very impressed with his car and driving. He was telling me that he wanted to start a band, and I had been thinking about it too.\" Each was impressed with the other\'s playing abilities, prompting Baker to ask Clapton to join his new, then-unnamed group. Clapton immediately agreed, on the condition that Baker hire Jack Bruce as the group\'s bassist.

Clapton had met Bruce when the bassist/vocalist did a short stint with the Bluesbreakers in March 1966; the two had also worked together as part of a one-shot band called Powerhouse (which also included Steve Winwood and Paul Jones). Impressed with Bruce\'s vocals and technical prowess, Clapton had wanted to work with him on an ongoing basis.

What Clapton did not know was that while Bruce was in Bond\'s band, he and Baker had been notorious for their quarreling. While both were excellent jazz musicians and respected each other\'s skills, the confines of the GBO had proved too small for their egos. Their volatile relationship included on-stage fights and the sabotage of one another\'s instruments. After Baker fired Bruce from the band, Bruce continued to arrive for gigs; ultimately, Bruce was driven away from the band after Baker threatened him at knifepoint.

Nevertheless, Baker and Bruce were able to put aside their differences for the good of Baker\'s new trio, which he envisioned as collaborativeCream, with each of the members contributing to music and lyrics. The band was named \"Cream\", as Clapton, Bruce, and Baker were already considered the \"cream of the crop\" amongst blues and jazz musicians in the exploding British music scene. Before deciding upon \"Cream\", the band considered calling themselves \"Sweet \'n\' Sour Rock \'n\' Roll\". Of the trio, Clapton had the biggest reputation in England; however, he was all but unknown in the United States. He left The Yardbirds before \"For Your Love\" hit the American Top Ten.

Shortly after the band\'s formation in 1966, Cream received an invitation to perform at the July 1966 \"Windsor Jazz & Blues Festival\". Being new and with few original songs to their credit, Cream performed spirited blues reworkings that thrilled the large crowd and earned them a warm reception. In October, they also got a chance to jam with Jimi Hendrix. Hendrix was a fan of Eric Clapton, and wanted a chance to play with him onstage. Hendrix was introduced to Cream through former Animal Chas Chandler.

It was during the early organization that they decided Bruce would serve as the group\'s lead vocalist. While Clapton was shy about singing, he occasionally harmonized with Bruce and, in time, took lead vocals on some notable Cream tunes including \"Four Until Late\", \"Strange Brew\", \"Crossroads\", and \"Badge\".

Reunions (1993, 2005):
In 1993, Cream was inducted into the Rock and Roll Hall of Fame and set aside their differences to perform at the induction ceremony. Initially, the trio was wary about performing, until encouraging words from Robbie Robertson inspired them to try. The end result was an incendiary set consisting of \"Sunshine of Your Love\", \"Crossroads\", and - interestingly, as the band had never played it live during their original tenure - \"Born Under a Bad Sign\". Clapton mentioned in his acceptance speech that their rehearsal the day before the ceremony had marked the first time they had played together in 25 years.

The performance spurred rumours of a reunion tour. Bruce and Baker went so far as to say in later interviews that they were, indeed, interested in touring as Cream. A formal reunion did not take place immediately, however, and Clapton continued to pursue solo projects, as did Bruce and Baker, although the two did work together again in the mid-1990s as two-thirds of a power trio, BBM, with Gary Moore.

In 2004, it was officially announced that Cream would finally reunite for a series of four shows, on May 2, 3, 5, and 6, 2005 at the Royal Albert Hall in London, the venue of their final concerts in 1968. Even more surprising was that the reunion came at Clapton\'s request: although the three musicians chose not to speak publicly about the shows, Clapton would later state that he had become more \"generous\" in regard to his past, and that the physical health of Bruce and Baker was a major factor: Bruce had recently undergone a liver transplant for liver cancer, and had almost lost his life, while Baker had severe arthritis.

Tickets for all four shows sold out in under an hour. Touts were soon charging outrageous prices for what became one of the hardest-to-get tickets in rock and roll history. The performances were recorded for a live CD and DVD. Among those in attendance were Paul McCartney and Ringo Starr, Steve Winwood, Roger Waters, Brian May of Queen, Jimmy Page of Led Zeppelin and also Mick Taylor and Bill Wyman, formerly of the Rolling Stones. The reunion marked the first time the band had played \"Badge\" and \"Pressed Rat and Warthog\" live.

The Royal Albert Hall reunion proved a success on both a personal and financial level, inspiring the reformed band to bring their reunion to the United States. For reasons unknown, Cream chose to play at only one venue, Madison Square Garden in New York City, from October 24-26Cream, 2005. The shows were marred by some controversy in regard to tickets: the show\'s promoters had made a deal with credit card company American Express to make tickets available to American Express customers only in an unprecedented week-long pre-sale. Again, touts charged high prices for tickets; nevertheless, the shows were a financial success and received critical praise.

Fans of Cream hoped for a full-scale tour, but a statement from Cream\'s publicist days after the last performance put the nail in that particular coffin, when it was announced that Cream would not tour the United States. In an interview with Jack Bruce in the December 2005 issue of Bass Player magazine, Bruce hinted that he would like to see Cream continue in one way or another, possibly in the form of a new album, but that a tour was out of the question: \"It would be quite a challenge to try to create music that would stand up to the classic songs. I\'ve got a few ideas already — in fact, I wrote a song yesterday that I think would work. I just don\'t know if it will happen, because we all feel the band is so special we don\'t want to do it that often, if we go on. We\'ve had offers you wouldn\'t believe — I didn\'t believe — for long world tours, and it\'s tempting. But none of us wants to accept because it would take away from the rarity and special nature of getting together. I\'d like to do it every now and again and just play somewhere, but we could do an album amidst that, and I\'m going to suggest it.\"

Later years (1968-present):
Inspired by more song-based acts, particularly The Band, Clapton went on to perform much different, less improvisational material with Delaney & Bonnie, Blind Faith with Baker, Derek and the Dominos, and in his own long and varied solo career. Blind Faith came about immediately after the demise of Cream following an attempt by Clapton to recruit Steve Winwood into the band in the hope that he would help act as a buffer between Bruce and Baker. However, Cream broke up before Winwood had the chance to consider the offer. Bruce began a successful solo career with the release of Songs for a Tailor in 1969. Baker later formed a jazz-fusion ensemble out of the ashes of Blind Faith, Ginger Baker\'s Air Force, which featured Winwood, Blind Faith bassist Rick Grech, Graham Bond on sax, and Denny Laine of the Moody Blues, among others.

The future (2006-present)
Cream\'s future is uncertain: in February 2006, Cream received a Grammy Lifetime Achievement Award in recognition of their contribution to, and influence upon, modern music. That same month, a \"Classic Albums\" DVD was released detailing the story behind the creation and recording of Disraeli Gears. On the day prior to the Grammy ceremony, Bruce made a public statement that more one-off performances of Cream had been planned: multiple dates in a few cities, similar to the Royal Albert Hall and Madison Square Garden shows. He would not state when or where those shows would occur, claiming that he \"would get chopped\" if he said anything.

However, this story was rebutted by both Clapton and Baker, first by Clapton in a Times article from April 2006. The article stated that when asked about Cream, Clapton said: \"\'No. Not for me. We did it and it was fun. But life is too short I\'ve got lots of other things I would rather do, including staying at home with my kids.\' The thing about that band, he says, was that it was all to do with its limits. \'Here were three people who were essentially in disagreement with each other. You latched on to those rare moments of cohesion and made the most of them. But they were rare. It was an experiment.\'\"

In an interview regarding the release of a DVD of Blind Faith\'s 1969 performance in Hyde Park, Baker commented to the United Kingdom-based magazine Music Mart about his unwillingness to continue the Cream reunion. These comments were far more specific and explosive than Clapton\'s; his reasons stemmed from Jack Bruce\'s behavior at the Madison Square Garden performances: \"When he\'s Dr. Jekyll, he\'s fine... It\'s when he\'s Mr. Hyde that he\'s not. And I\'m afraid he\'s still the same. I tell you this - there won\'t ever be any more Cream gigs, because he did Mr. Hyde in New York last year.\"

When asked to elaborate, Baker replied: \"Oh, he shouted at me on stage, he turned his bass up so loud that he deafened me on the first gig. What he does is that he apologises and apologises, but I\'m afraid, to do it on a Cream reunion gig, that was the end. He killed the magic, and New York was like 1968... It was just a get through the gig, get the money sort of deal. I was absolutely amazed. I mean, he demonstrated why he got the sack from Graham Bond and why Cream didn\'t last very long on stage in New York. I didn\'t want to do it in the first place simply because of how Jack was. I have worked with him several times since Cream, and I promised myself that I would never work with him again. When Eric first came up with the idea, I said no, and then he phoned me up and eventually convinced me to do it. I was on my best behaviour and I did everything I could to make things go as smooth as possible, and I was really pleasant to Jack.\"

Clapton would later expand on his reasons for ending the reunion: Baker\'s response to Bruce\'s attitude on the first night of the New York shows. Believing that the two would never see eye-to-eye almost forty years after the break-up of Cream, he chose to return to the path of solo artist. Surprisingly, despite the negative comments from Baker regarding Madison Square Garden, Jack Bruce told Detroit\'s WCSX radio station in May 2007 that there are plans for a Cream reunion later in the year: \"There is some talk about us getting together later this year, which I can\'t really say too much about. But it\'s not a commercial thing ... but we may get together for something.\"

It was later revealed that the potential performance was to be a set at the November, 2007 London tribute to Ahmet Ertegün. The band decided against it, as was confirmed by Bruce in a letter to the editor of the Jack Bruce fanzine, The Cuicoland Express dated September 26, 2007:

\"Dear Marc,
We were going to do this tribute concert for Ahmet when it was to be at the Royal Albert Hall but decided to pass when it was moved to the O2 Arena and seemed to be becoming overly commercial.\"

The headlining act for the O2 Arena Ertegun tribute show (postponed to December 2007) turned out to be another reunited English hard-rock act, Led Zeppelin. So while the band members are talking again, no Cream reunions are planned for the near future.

Source : http://en.wikipedia.org/wiki/Cream_%28band%29